What better October topic than a brief look at witches!
Witches have always been
associated with evil. In the Old Testament, Exodus 22.18 admonishes, “Thou
shalt not suffer a witch to live,” although the term “sorceress” is often used
instead of witch. Witches had magical powers that could be used for malevolent
purposes. According to historian Jeffrey B. Russell, in the Middle Ages,
“Heretics, Jews, and witches are among the most prominent of Satan’s human
helpers.” Psychology professor Sheldon Cashdan, exploring the impact of fairy
tales, writes that, “…the witch lives not only in the pages of a fairy tale but
in the deepest reaches of our minds.” No wonder witches figure so prominently
in Halloween revelries.
The Medieval Witch as a
Negative Character
Act I, Scene I of William
Shakespeare’s play Macbeth begins
with three witches. It is fitting that the witches are accompanied by thunder
and lightening. When not in gloomy, dark castles like Dorothy’s Witch of the
West, they are frequently depicted around a cauldron, predicting death and
calamity. “Hover through the fog and filthy air,” Shakespeare’s witches
exclaim. The bard knew something of witches; the year the play was written was
1606 and in England
the devil was very real theologically as were his helpers.
In the early 1600’s, Europe’s witch hunts were still active and both Catholics
and Protestants pursued the accused women relentlessly. In his Table Talk the Reformer Martin Luther
relates the story of a witch who, at the urging of the devil, caused a loving
husband to murder his wife. “You are worse than I am,” the devil remarked.
Luther was a product of the Late Middle Ages, equating the activities of
witches with the devil, using the analogy of idolatry and Canaanite religious
practices in the Old Testament.
Catholics also had firm
beliefs governing witches and their nefarious ways. The 1486 Malleus
Maleficarum was meticulous in detailing witchcraft and how to deal with
witches; it helped to define popular notions of witchcraft well into the next
centuries.
The Halloween Cat and
Historical Witchcraft
Witches mimicked Church feast
days with unholy celebrations, consorting with Lucifer and flying through the
skies. Historian Robert Darnton writes that, “Witches transformed themselves
into cats in order to cast spells on their victims.” His study of French social
and cultural history demonstrates that cats were always associated with witches
and with evil, hence their prominent
role in Halloween celebrations. According to Darnton, “Cats possessed occult
power independently of their association with witchcraft and deviltry.”
Cats were also associated
with sexuality, mating with the devil in wild orgies. In Nathaniel Hawthorne’s Young Goodman Brown, written long after
the Puritans hung their own witches in 1692, Goodman Brown sees his wife
“Faith,” presumably about to be initiated into a coven of witches, many of whom
were known to Brown. Frantically he yells to her to look to heaven. He finds
himself back in the village.
Was it a dream? The
implications of sexuality were clear and the marriage was never the same.
Witches destroy trust and the most sacred bonds between two people in love,
much like the witch in the Luther story above. No wonder the Witches’ Sabbath
was a mockery of Christian liturgy: the devil is always the Anti-Christ, the
evil facing the good in the cosmological equilibrium of spiritual demeanor.
Fairy Tale Witches Across the
Cultures
Both Darnton and Cashdan
place importance on the role of a witch in fairy tales. Whether a hag or an
ogress, the witch was determined to destroy youth and innocence. In a
traditional Russian fairy tale, the witch – Baba Yaga, is dreadful, with “steel
teeth.” But she is defeated by the innocent ingenuity of a child. The same
could be said of the Hansel and Gretel story, although the French version of
the tale features an ogre. Very often witches were evil stepmothers.
The Chronicles of Narnia, written by C.S. Lewis in the mid-20th
Century, feature the “White Witch,” a clever but evil woman who placed Narnia
in a type of frozen state but is ultimately killed by Aslan. The fantasy tales
have Christian connotations including resurrection and the triumph over evil.
Another modern witch is the Wicked Witch of the West, conceived by Frank Baum
but popularized in American culture by Margaret Hamilton who played the witch
in the MGM classic The Wizard of Oz
(1939).
Surrender Dorothy!
The Wizard of Oz features several witches. The Witch of the East is killed with the
arrival of Dorothy; Glenda is the “Good witch of the North.” In the movie,
Dorothy is startled, telling Glenda that she thought witches were old and ugly.
This is the common, popular view of witches and why witch costumes appear on
Halloween. Nobody wants to be a “good witch” like Glenda on Halloween.
Additionally, most witches
are female, a conclusion taken from the European witch craze but one with roots
in antiquity. Glenda corrects Dorothy and then brings up the issue of
broomstick travel. Witches fly through the air. Dorothy, however, must follow
the “yellow brick road,” ever cautious of the remaining evil witch who has a
travel advantage. Anthropologist Anthony Aveni argues that “…the witches’
broomstick is a negative spin on the maypole…” associated with May Day
celebrations, “…the reciprocal in time of Halloween…”
Witches in Ancient and Modern
Times
Tracing the origin of witches
at Halloween, Aveni refers to a Babylonian cuneiform text that linked the
arrival of “evil ghosts and witches” at certain times of celebration, generally
associated with agricultural events like the harvest. Witches, according to the
ancient text, use their powers to communicate with the dead. Interestingly, the
Old Testament Witch of Endor (I Samuel 28.3-25) was also thought to be able to
commune with the dead.
The American Halloween witch
probably has roots in colonial witchcraft beliefs. When Halloween was
eventually transformed into one of the nation’s most colorful and popular
holidays, the witch became a staple. In the Disney film Hocus Pocus (1993) Max Dennison (Omri Katz) tells his classmates
that “everybody knows” Halloween was “invented by the candy companies.” This,
of course, elicits vocal opposition: no interloper from California
is allowed to debunk the Halloween magic of Salem, Massachusetts,
especially concerning witches.
The history of witches is long
and colorful. At times tens of thousands lost their lives during witch hunts.
Witches are entwined with deeply rooted superstitions and the ability to
practice magic. These characteristics probably developed when perceptions of
religion and God first impacted mankind, long before the birth of civilization.
References:
Aveni, Anthony. The Book Of The Year: A Brief History of Our
Seasonal Holidays. Oxford: Oxford University
Press, 2003
Cashdan, Sheldon. The Witch Must Die: How Fairy Tales Shape
Our Lives. New York:
Basic Books, 1999
Darnton, Robert. The Great Cat Massacre and Other Episodes in
French Cultural History. London:
Allen Lane,
1984
Rogers, Nicholas. Halloween: From Pagan Ritual to Party Night.
Oxford: Oxford University
Press, 2002
Russell, Jeffrey Burton. Lucifer: The Devil In The Middle Ages. Ithaca: Cornell
University Press, 1984
The Snow Queen And Other Tales. New York:
Golden Press, 1961
Streich, Michael. Martin Luther and the Devil’s Domain:
Witchcraft and Magic in the Popular Culture. University
of North Carolina at Greensboro, unpublished thesis, 1990